| No aplica | (7) |
| Estudio de fuente; Estudio de lecturas variantes; Transmisión de repertorio; Fuentes portuguesas manuscritas; responsorios polifónicos; Alleluya polifónico; Évora; Manuel Mendes | (1) |
| Granados; Goyescas; New York; Metropolitan Opera; First World War; London; Sussex; Barcelona; Apeles Mestres | (1) |
| Más... |
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1.
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Guillaume de Machaut: Notation and the Compositional Process, Marie Louise Göllner
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2.
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Latin Polyphony in the Early Spanish Baroque: Suggestions for Stylistic Criteria, Judith Etzion; Bar-Ilan University, Israel
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3.
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Cerone as historian, Enrique Alberto Arias
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4.
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Lodovico Giustini and the Emergence of the Keyboard Sonata in Italy, Daniel E. Freeman
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5.
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Valoración de Ferenc Liszt por Komitas Vardapet, Ferenc Liszt’s Appraisal by Komitas Vardapet Lusine Sahakyan; Yerevan Komitas State Conservatory
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6.
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Verse Structure and Musical Rhythm in Latin Hymn Melodies Fred Büttner
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7.
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Music in Spain in the 1670s through the eyes of Sébastien Chièze and Constantijn Huygens, Rudolf A. Rasch; Departamento de Musicología (Facultad de Humanidades) de la Universidad de Utrecht
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8.
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Non-Pythagorean proportions and the Diapasón in the design of iberian Harpsichord scales, Paul Poletti; Escola Superior de Música de Catalunya (ESMUC)
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9.
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Keyboard Instruments and Instrumentalists in Manila (1581-1798), David Irving
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10.
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A Closer Look at Eduardo M. Torner's Bibliographic Survey of Spain's Traditional Music and Dance, Israel J. Katz
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