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1.
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Nation, Genre and Female Performance in Canadian Cinema Akser, Murat; Kadir Has University
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2.
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Editorial Akser, Murat; Kadir Has University
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3.
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Chop Shop and Foreign Parts settle on the fuzzy boundary between fiction and documentary: new representations of New York City in Contemporary Cinema. Canet, Fernando; Fine Arts College (Polytechnic University of Valencia, Spain)
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4.
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The Tale Of Gandhi Through The Lens: An Inter-Textual Analytical Study Of Three Major Films- Gandhi, The Making Of The Mahatma, And Gandhi, My Father Murthy, C.S.H.N.; Dept of Mass Communication and Journalism Tezpur University Napaam Tezpur Assam 784 028 India - Meitei, Oinam Bedajit; Dept of Mass Communication and Journalism Tezpur University Napaam 784 028 Assam India - Tariang, Dapkupar; Mass Communication and Journalism Tezpur University Napaam Tezpur Assam 784 028 India
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5.
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The American Dark Ages and the Terrorist Witch in Season of the Witch Vercruysse, Tom; Institute for media studies, University of Leuven
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6.
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Liu Na’ou And The 1930s Soft Film Movement: A New Approach In Revisionist Chinese Film Historiography Ong, Donna; University of Hong Kong
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7.
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Wenders in Motion: A Study On The Way Of Characterization In Wim Wenders’ Road Movies Pehlivan, Erman
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8.
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Same Story But Different Cover: The Substitution Principle in Religion and Understanding It Through Watching Films Uğur, Gökhan; Beykent University, Faculty of Communication
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9.
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Nostalgia for the Light: A ‘Documemory’ and The Conflict between History and Memory Durak, Didem; Kadir Has University
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10.
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Defining Italian Neorealism: A Compulsory Movement Kartal, Esma; Kadir Has University
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11.
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Strangers No More: the Initial Hitchcock murder Dima, Vlad; Union College
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12.
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Editors Introduction Akser, Murat; Kadir Has University
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13.
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Istanbul Crossroads Establishing Mutual Understanding and Inter-Cultural Dialog through Images Akman, Vedat; Beykent University
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14.
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Editors' Note Bernard, Veronika - Oksay, Serhan - Akman, Vedat; Beykent University - Akser, Murat
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15.
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The IMAGES Project (www.images-1.over-blog.org) and the IMAGES Project 2011 Publication IMAGES - Films as Spaces of Cultural Encounter Bernard, Veronika - Oksay, Serhan
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16.
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The Special Issue Editors Bernard, Veronika - Oksay, Serhan - Akman, Vedat; Beykent University - Akser, Murat
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17.
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Across Cultural and National Borders: Diasporic Chinese Family in Pushing Hands Han, Qijun
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18.
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Identity, Cultural Representation and Feminism in the Movie Head-On Berchtel, Sandra
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19.
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Gender and Identity at Boarding Schools: Outcast Teachers in Maedchen in Uniform (1958) vs Loving Annabelle (2006) Tatulescu, Petruta
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20.
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Reflections of Traditional-Modern Dilemma and Use of Space in the Context of Symbolization of Contradictions in Yeşilçam Cinema Uzun, Inci; Dokuz Eylül Univeristy - ALTUN, Didem AKYOL
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21.
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Sedimentations: Some Thoughts on Schoenberg’s Musical Accompaniment to a Cinematographic Scene Ryan, David
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22.
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The ‘Return to Home’: The Musical Construction of a Common Trope in New Turkish Cinema Hartley, Paul; University of Illinois at Urbana-Champaign
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23.
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UFA Orientalism. The “Orient” in Early German Film: Lubitsch and May Scherer, Frank F.; York University
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24.
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New Turkish Cinema – Some Remarks On The Homesickness Of The Turkish Soul Kaim, Agnieszka Ayşen; University of Lodz
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25.
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Changing Landscape of Moral Registers and Urban Pathology in ‘Bombay’ Cinema: Decline of Biological Family and Birth of the Individual through Awara (1951), Deewar (1951), (1975) and Satya (1998) Kumar, Akshaya; Jawaharlal Nehru University
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26.
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Re-Organizing Cultural Values: Vers le Sud by Laurent Cantet Michelmann, Judith; University of St. Gallen
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27.
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The Relation between Hollywood and the New Threat Perception of the USA after the End of the Cold War from the Perspective of Postmodernism Deger, Derya; Sakarya University
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28.
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The Wing Beat of the Butterfly. The Causality of Asymmetric Cultural Encounters and Escalation in Babel (2006) and Valley of Wolves – Iraq/ Kurtlar Vadisi – Irak (2006) Bernard, Veronika; University of Innsbruck
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29.
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The Language of Colours. A Semiotic Analysis of Colours and Symbolic Imagery in Francis Ford Coppola’s "Bram Stoker’s Dracula" (1992) Bernard, Veronika; University of Innsbruck
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