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1.
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Reinvigorating Film Studies: An Immodest Proposal Akser, Murat; Kadir Has University
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2.
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Strangers No More: the Initial Hitchcock murder Dima, Vlad; Union College
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3.
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Editors Introduction Akser, Murat; Kadir Has University
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4.
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Istanbul Crossroads Establishing Mutual Understanding and Inter-Cultural Dialog through Images Akman, Vedat; Beykent University
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5.
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Editors' Note Bernard, Veronika - Oksay, Serhan - Akman, Vedat; Beykent University - Akser, Murat
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6.
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The IMAGES Project (www.images-1.over-blog.org) and the IMAGES Project 2011 Publication IMAGES - Films as Spaces of Cultural Encounter Bernard, Veronika - Oksay, Serhan
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7.
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The Special Issue Editors Bernard, Veronika - Oksay, Serhan - Akman, Vedat; Beykent University - Akser, Murat
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8.
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Return to Reality: Towards A More Tactile Cognition of Film Theory Akser, Murat; Kadir Has University
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9.
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Editorial Akser, Murat; Kadir Has University
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10.
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Nation, Genre and Female Performance in Canadian Cinema Akser, Murat; Kadir Has University
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11.
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Editorial Akser, Murat; Kadir Has University
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12.
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Down the Rabbit Hole of Reality: Abbas Kiarostami’s Certified Copy McMurray, Anna Maria; Koç University
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13.
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Cinema on Cinema: The Kinship between Cinema Paradiso and Zıkkımın Kökü, Karpuz Kabuğundan Gemiler Yapmak, Sinema Bir Mucizedir Demiray, Basak; Bahcesehir University
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14.
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Violence, Oppression, and Double Standards in Three Colombian Films Meade, Melissa R.
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15.
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A Quantitative Approach to Variables Affecting Production of Short Films in Turkey Akman, Vedat; Kadir Has University
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16.
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Across Cultural and National Borders: Diasporic Chinese Family in Pushing Hands Han, Qijun
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17.
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Identity, Cultural Representation and Feminism in the Movie Head-On Berchtel, Sandra
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18.
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Gender and Identity at Boarding Schools: Outcast Teachers in Maedchen in Uniform (1958) vs Loving Annabelle (2006) Tatulescu, Petruta
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19.
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Reflections of Traditional-Modern Dilemma and Use of Space in the Context of Symbolization of Contradictions in Yeşilçam Cinema Uzun, Inci; Dokuz Eylül Univeristy - ALTUN, Didem AKYOL
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20.
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Sedimentations: Some Thoughts on Schoenberg’s Musical Accompaniment to a Cinematographic Scene Ryan, David
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21.
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The ‘Return to Home’: The Musical Construction of a Common Trope in New Turkish Cinema Hartley, Paul; University of Illinois at Urbana-Champaign
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22.
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UFA Orientalism. The “Orient” in Early German Film: Lubitsch and May Scherer, Frank F.; York University
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23.
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New Turkish Cinema – Some Remarks On The Homesickness Of The Turkish Soul Kaim, Agnieszka Ayşen; University of Lodz
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24.
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Changing Landscape of Moral Registers and Urban Pathology in ‘Bombay’ Cinema: Decline of Biological Family and Birth of the Individual through Awara (1951), Deewar (1951), (1975) and Satya (1998) Kumar, Akshaya; Jawaharlal Nehru University
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25.
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Re-Organizing Cultural Values: Vers le Sud by Laurent Cantet Michelmann, Judith; University of St. Gallen
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26.
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The Relation between Hollywood and the New Threat Perception of the USA after the End of the Cold War from the Perspective of Postmodernism Deger, Derya; Sakarya University
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27.
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The Wing Beat of the Butterfly. The Causality of Asymmetric Cultural Encounters and Escalation in Babel (2006) and Valley of Wolves – Iraq/ Kurtlar Vadisi – Irak (2006) Bernard, Veronika; University of Innsbruck
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28.
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The Language of Colours. A Semiotic Analysis of Colours and Symbolic Imagery in Francis Ford Coppola’s "Bram Stoker’s Dracula" (1992) Bernard, Veronika; University of Innsbruck
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29.
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The Avenging Females: A Comparative Analysis of Kill Bill Vol.1-2, Death Proof and Sympathy for Lady Vengeance Göksel Demiray, Basak; Bahcesehir University
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30.
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To Find Is To Choose, To Choose Is To Create: Culture(s) in Cinematic and Architectural Space(s) Stoker’s Dracula (1992) Gencosmanoglu, Asu Besgen
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31.
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Historical “Truth,” Constructed Memory: Restaging Germany’s Reunification in Thomas Berger’s Television Melodrama Wir sind das Volk. Liebe kennt keine Grenzen (We are the people. Love without limits) (2008) Mascha, Katrin B; University of Pittsburgh
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32.
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Necessary Fictions: From Cinéma vérité to Ciné, ma vérité(s) Aquino, Rowena Santos
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33.
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Secrets, Trauma, and the Memory Market (or the return of the repressed in recent Argentine post-dictatorship cultural production) Tandeciarz, Silvia R; College of William and Mary
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34.
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The Thin Blue Line: How can we destroy actuality with editing? Kaymaz, Özlem Tuğçe; Kadir Has University
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35.
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Seeking God in Early Bergman: The Cases of The Seventh Seal and Winter Light Kartal, Esma; Kadir Has University
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36.
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Transperance Me I Want to be Visible: Gay Gaze in Tom Ford’s film A Single Man Gokcem, Selen; "Kadir Has University"
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37.
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Garden of Ambivalence The Topology of the Mother-child Dyad in Grey Gardens Tüzün, Defne; Kadir Has University
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38.
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Music, Magic, and the Mythic: The Dynamics of Visual and Aural Discourse in Souleymane Cissé’s Yeelen Fisher, Alexander; Queen's University Belfast
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39.
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The impact of sound technology on the distribution of shot lengths in Hollywood cinema, 1920 to 1933 Redfern, Nick; Independent researcher
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40.
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Response to “Seeking God in Early Bergman: The Cases of The Seventh Seal and Winter Light” Pua, Phoebe; Australian National University
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41.
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Islam goes Hollywood. An exploratory study on Islam in Turkish cinema Bruijn, Petra de; Leiden University, Faculty of Humanities, Leiden Institute of Area Studies, Middel Eastern Studies, Turkish Studies Studies
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42.
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Memory, Identity and Desire: A Psychoanalytic Reading of David Lynch’s Mulholland Drive Akser, Murat; Kadir Has University
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43.
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Chop Shop and Foreign Parts settle on the fuzzy boundary between fiction and documentary: new representations of New York City in Contemporary Cinema. Canet, Fernando; Fine Arts College (Polytechnic University of Valencia, Spain)
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44.
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The Tale Of Gandhi Through The Lens: An Inter-Textual Analytical Study Of Three Major Films- Gandhi, The Making Of The Mahatma, And Gandhi, My Father Murthy, C.S.H.N.; Dept of Mass Communication and Journalism Tezpur University Napaam Tezpur Assam 784 028 India - Meitei, Oinam Bedajit; Dept of Mass Communication and Journalism Tezpur University Napaam 784 028 Assam India - Tariang, Dapkupar; Mass Communication and Journalism Tezpur University Napaam Tezpur Assam 784 028 India
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45.
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The American Dark Ages and the Terrorist Witch in Season of the Witch Vercruysse, Tom; Institute for media studies, University of Leuven
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46.
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Liu Na’ou And The 1930s Soft Film Movement: A New Approach In Revisionist Chinese Film Historiography Ong, Donna; University of Hong Kong
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47.
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Wenders in Motion: A Study On The Way Of Characterization In Wim Wenders’ Road Movies Pehlivan, Erman
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48.
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Same Story But Different Cover: The Substitution Principle in Religion and Understanding It Through Watching Films Uğur, Gökhan; Beykent University, Faculty of Communication
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49.
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Nostalgia for the Light: A ‘Documemory’ and The Conflict between History and Memory Durak, Didem; Kadir Has University
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50.
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Defining Italian Neorealism: A Compulsory Movement Kartal, Esma; Kadir Has University
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