41.
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Rethinking Realism: A Critique of Georg Lukács Prusik, Charles A.; Villanova University
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42.
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Can Digital Pictures Qualify as Photographs? Gooskens, Geert; Research Foundation - Flanders (FWO) / University of Antwerp
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43.
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Rothko's Negative Theology Lovett, Matthew; Duquesne University
|
44.
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The Mathematical and Temporal Basis of Judgments of the Sublime Cole, Daniel; Independent scholar
|
45.
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A Beautiful Piece of Property: Toward a New Definition of Aesthetic Properties Parkhurst, Bryan J.; University of Michigan
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46.
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Still Two Problematic Theses in Carroll's Account of Horror: A Response to "Monsters and the Moving Image" Laetz, Brian; University of British Columbia
|
47.
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From Individuality to Universality: the Role of Aesthetic Education in Kant Kabeshkin, Anton; Texas A&M University
|
48.
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The Good Life as Conceptual Art Naar, Hichem; University of Manchester
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49.
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Enhancing Presence: Sensory Integration and Proprioception in Cinema Astrinaki, Eleftheria; Athens School of Fine Arts
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50.
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Music and Motion Iannone, Alejandra Emilia; Temple University
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