Sensational trials are a venue for the performance of social knowledge—the kind of knowledge that does not regularly make an appearance on the front pages of national newspapers. if sensational trials routinely catapult private matters into the public sphere, it…

This article explores the relation between experience and ‘know-how’ as a ‘tacit’ form of knowledge and the role of enthusiasm in the production of ‘know-how’, and engages with the problem of the transmission of ‘know how’. Why is the transmission…

Why does foodmaking matter? It does partly because it holds within it so much of everyday life, thought and activity across time, place and generation. This article explores women’s embodied foodmaking knowledge as ‘thoughtful practice’. It examines cookbooks as a…

There are many opportunities for lying and cheating in engaging with, what Susan Sontag called, ‘the pain of others’. One of them is the gradual emergence of the feeling that you know what happened, what it was like to go…

I propose this account of community formation, which finds bodies, ungraspable difference and the expression of meaning inextricably linked, in order to address a neglect of the sociality of the body in current models of community. That neglect, I submit,…

This paper is a multi-faceted engagement with the idea of hybridity and postcolonial community in a settler culture, questioning the relationships between movement, identity and knowledge through the figuring of the memorial, the library and the lesbian. The paper carries…

This article examines the renewed popularity of the handmade by examining the current renaissance in the street credibility of previously disparaged women's craft practices, particularly those employing yarn (for example knitting, crochet, needlepoint and weaving) and fabric (sewing, felting). The…

This article examines cultural fragments – local places, people’s gestures, stories, tastes, affective landscapes – to map geographies of ‘Africa’ in a historically ‘mixed’ urban Australian neighbourhood. Focusing on a small Ethiopian business, Addis Ababa Café, the article develops an…

Is it possible to find an ethical and generative way to speak about the ‘work’ of Indigenous art? Regardless of what prohibitions exist to protect sacred knowledge from the gaze of Western eyes, Indigenous work is circulating; it is being…

Once upon a time there were three women: they were known as ‘the woman in black’, ‘the grey-haired woman with the well-developed sense of humor’ and ‘the rather quiet woman with the capacity to shock’. These women, who had known…