|
1.
|
Reinvigorating Film Studies: An Immodest Proposal Akser, Murat; Kadir Has University
|
|
2.
|
Strangers No More: the Initial Hitchcock murder Dima, Vlad; Union College
|
|
3.
|
Editors Introduction Akser, Murat; Kadir Has University
|
|
4.
|
Istanbul Crossroads Establishing Mutual Understanding and Inter-Cultural Dialog through Images Akman, Vedat; Beykent University
|
|
5.
|
Editors' Note Bernard, Veronika - Oksay, Serhan - Akman, Vedat; Beykent University - Akser, Murat
|
|
6.
|
The IMAGES Project (www.images-1.over-blog.org) and the IMAGES Project 2011 Publication IMAGES - Films as Spaces of Cultural Encounter Bernard, Veronika - Oksay, Serhan
|
|
7.
|
The Special Issue Editors Bernard, Veronika - Oksay, Serhan - Akman, Vedat; Beykent University - Akser, Murat
|
|
8.
|
Down the Rabbit Hole of Reality: Abbas Kiarostami’s Certified Copy McMurray, Anna Maria; Koç University
|
|
9.
|
Cinema on Cinema: The Kinship between Cinema Paradiso and Zıkkımın Kökü, Karpuz Kabuğundan Gemiler Yapmak, Sinema Bir Mucizedir Demiray, Basak; Bahcesehir University
|
|
10.
|
Violence, Oppression, and Double Standards in Three Colombian Films Meade, Melissa R.
|
|
11.
|
A Quantitative Approach to Variables Affecting Production of Short Films in Turkey Akman, Vedat; Kadir Has University
|
|
12.
|
Across Cultural and National Borders: Diasporic Chinese Family in Pushing Hands Han, Qijun
|
|
13.
|
Identity, Cultural Representation and Feminism in the Movie Head-On Berchtel, Sandra
|
|
14.
|
Gender and Identity at Boarding Schools: Outcast Teachers in Maedchen in Uniform (1958) vs Loving Annabelle (2006) Tatulescu, Petruta
|
|
15.
|
Reflections of Traditional-Modern Dilemma and Use of Space in the Context of Symbolization of Contradictions in Yeşilçam Cinema Uzun, Inci; Dokuz Eylül Univeristy - ALTUN, Didem AKYOL
|
|
16.
|
Sedimentations: Some Thoughts on Schoenberg’s Musical Accompaniment to a Cinematographic Scene Ryan, David
|
|
17.
|
The ‘Return to Home’: The Musical Construction of a Common Trope in New Turkish Cinema Hartley, Paul; University of Illinois at Urbana-Champaign
|
|
18.
|
UFA Orientalism. The “Orient” in Early German Film: Lubitsch and May Scherer, Frank F.; York University
|
|
19.
|
New Turkish Cinema – Some Remarks On The Homesickness Of The Turkish Soul Kaim, Agnieszka Ayşen; University of Lodz
|
|
20.
|
Changing Landscape of Moral Registers and Urban Pathology in ‘Bombay’ Cinema: Decline of Biological Family and Birth of the Individual through Awara (1951), Deewar (1951), (1975) and Satya (1998) Kumar, Akshaya; Jawaharlal Nehru University
|
|
21.
|
Re-Organizing Cultural Values: Vers le Sud by Laurent Cantet Michelmann, Judith; University of St. Gallen
|
|
22.
|
The Relation between Hollywood and the New Threat Perception of the USA after the End of the Cold War from the Perspective of Postmodernism Deger, Derya; Sakarya University
|
|
23.
|
The Wing Beat of the Butterfly. The Causality of Asymmetric Cultural Encounters and Escalation in Babel (2006) and Valley of Wolves – Iraq/ Kurtlar Vadisi – Irak (2006) Bernard, Veronika; University of Innsbruck
|
|
24.
|
The Language of Colours. A Semiotic Analysis of Colours and Symbolic Imagery in Francis Ford Coppola’s "Bram Stoker’s Dracula" (1992) Bernard, Veronika; University of Innsbruck
|
