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31.
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Historical “Truth,” Constructed Memory: Restaging Germany’s Reunification in Thomas Berger’s Television Melodrama Wir sind das Volk. Liebe kennt keine Grenzen (We are the people. Love without limits) (2008) Mascha, Katrin B; University of Pittsburgh
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32.
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Necessary Fictions: From Cinéma vérité to Ciné, ma vérité(s) Aquino, Rowena Santos
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33.
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Secrets, Trauma, and the Memory Market (or the return of the repressed in recent Argentine post-dictatorship cultural production) Tandeciarz, Silvia R; College of William and Mary
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34.
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The Thin Blue Line: How can we destroy actuality with editing? Kaymaz, Özlem Tuğçe; Kadir Has University
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35.
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Seeking God in Early Bergman: The Cases of The Seventh Seal and Winter Light Kartal, Esma; Kadir Has University
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36.
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Transperance Me I Want to be Visible: Gay Gaze in Tom Ford’s film A Single Man Gokcem, Selen; "Kadir Has University"
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37.
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Garden of Ambivalence The Topology of the Mother-child Dyad in Grey Gardens Tüzün, Defne; Kadir Has University
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38.
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Music, Magic, and the Mythic: The Dynamics of Visual and Aural Discourse in Souleymane Cissé’s Yeelen Fisher, Alexander; Queen's University Belfast
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39.
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The impact of sound technology on the distribution of shot lengths in Hollywood cinema, 1920 to 1933 Redfern, Nick; Independent researcher
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40.
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Response to “Seeking God in Early Bergman: The Cases of The Seventh Seal and Winter Light” Pua, Phoebe; Australian National University
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