This article discusses how Iranian director Abbas Kiarostami’s 2010 film Certified Copy treats themes of originality, experience, perception, and memory.  The main character’s thesis about art—that copies are not merely inferior versions of originals—is applied to everyday experience of love,…

This study consists of a comparative analysis of four films which fall under the category of “cinema on cinema”. These films are Cinema Paradiso (Giuseppe Tornatore, 1988, Italy), Zıkkımın Kökü (Memduh Ün, 1993, Turkey), Karpuz Kabuğundan Gemiler Yapmak/ Boats out…

This article compares three Colombian films that tell distinct stories of violence, personal and political oppression, and double standards. The films Confesión a Laura (Confessing to Laura, Jaime Osorio, 1991), La Primera Noche (The First Night, Luis Alberto Restrepo, 2003)…

This study aims to explore the influence of various variables affecting the production of migration themed short films in Turkey. We proceeded to our analysis using descriptive statistics to describe the main futures of the sample data quantitatively. Due to…

Being embedded in the interdisciplinary area of media and culture studies, this articlel explores the family melodrama in transnational Chinese cinema drawing upon theoretical discussions with regard to the historical emergence of melodrama in correspondence to, as Th. Elsaesser says, “periods…

The movie Head On (2004) from the director Fatih Akin draws the attention of the audience to Turkish women living in Germany. It portrays how some women have to struggle with Turkish traditions and identity problems, living in a modern…

“Loving Annabelle”, a US film released in 2006, tells the story of a boarding school student who falls in love with her teacher. The movie is based on “Maedchen in Uniform”, a German movie released in 1958. This paper aims…

This article examines Arnold Schoenberg’s Begleitmusik zu einer Lichtspielszene of 1930. This, essentially, is a soundtrack in search of a film (no film was actually created with it in mind), and clearly speaks of Schoenberg’s bleak premonitions of the coming…

This article explores the musical component of a trope common in the films of the New Turkish Cinema. Examining scenes from four films, it outlines the dialectical struggle between the competing foci of identity enacted through the juxtaposition of urban…

Fantastic images of the exotic pervade many early German films which resort to constructions of “Oriental” scenes. Stereotypical representations of China, India, Babylon, and Egypt  dominate the Kino-screens of Weimar Germany. These films were produced in the UFA studios outside…