| Título: | Symbolisme et senefiance dans le Roman de la Rose de G. de Lorris |
| Autores: | Dicaire, Francine. |
| Fecha: | 1998 |
| Publicador: | McGill University - MCGILL |
| Fuente: |
 |
| Tipo: | Electronic Thesis or Dissertation |
| Tema: | Guillaume, de Lorris, fl. 1230. Roman de la Rose. |
| Descripción: |
In his Roman de la Rose, Guillaume de Lorris promises several times the revelation of the significance of his work, the senefiance. If the use of allegory by Guillaume does not elucidate the mystery of this senefiance, symbolic interpretation opens a gate in accordance with the time and the text. The dream as a framework signals a symbolic content and provides unity. In an orchard of geometrical proportions, truly edenic garden, the fountain of Narcisus, transformed in a fountain of Love by Cupido, is a mirror perilous, where the Rose will appear. It will confront the dreamer, the future Lover who happens to be the poet himself, to the myth of self-knowledge, sparing him, however, the faith of Narcisus. After a kiss stolen from the Rose too soon by the Lover, Jealousy will command the construction of a castle and a tower to protect the Rose. All these adventures, in this magical setting, will confirm a highly symbolic content and will contribute in enhancing and throwing light on the work of Guillaume de Lorris, although never exhausting its senefiance. The symbolism and the senefiance we deduce from it, will help in understanding the didactic reach of this work, its universal character and in refuting the incompletion of the poem while accepting the incompletion of a quest always renewed. |
| Idioma: | fr |
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