Metabuscador

Filtrado por:

Temas

Recursos

Más...

Año

2013 (2)
2012 (7)
2011 (1)
2009 (10)
2008 (2)
Más...

Aproximadamente 22 registro(s) hasta el momento: (knowledge)

Mostrar 10 | 50 | 100 resultados por página

Recurso libre

Opinion, Knowledge, and Understanding in Plato's Meno and Republic
Schwab, Whitney

Formato:	Academic dissertations (Ph.D.)
Enlaces:	In this dissertation I examine the conceptions of opinion (<italic>doxa</italic>}), knowledge (<italic>gnosis</italic>), and understanding (<italic>episteme</italic>) that are presented by the character Socrates in Plato's <italic>Meno</italic> and <italic>Republic</italic>. A central claim I make, and one that sets my interpretation apart from…
Fecha:	2013-09-16
Recurso:	Universidad de Princenton

Recurso libre

Pretence Problems and Make-Believe Emotions
Neuber, Simone; University of Heidelberg

Formato:	info:eu-repo/semantics/article, info:eu-repo/semantics/publishedVersion, Dissertation abstract
Enlaces:	Descripción completa.
Fecha:	2012-01-17
Recurso:	American Society for Aesthetics Graduate E-journal

Recurso libre

Pretence Problems and Make-Believe Emotions
Neuber, Simone; University of Heidelberg

Formato:	info:eu-repo/semantics/article, info:eu-repo/semantics/publishedVersion, Dissertation abstract
Enlaces:	Descripción completa.
Fecha:	2012-01-17
Recurso:	Ameriquests

Recurso libre

Varieties of Response-Dependence: A Critique of Zangwill
Compton, Elizabeth Zeron; University at Buffalo

Formato:	info:eu-repo/semantics/article, info:eu-repo/semantics/publishedVersion,
Enlaces:	The dispositional nature of aesthetic properties is taken by some to be a problem for aesthetic property realism. Nick Zangwill argues that because aesthetic properties supervene on sensory properties such as color, they must be secondary qualities, and his response-dependence…
Fecha:	2009-01-28
Recurso:	American Society for Aesthetics Graduate E-journal

Recurso libre

The Dynamic Phenomenon of Art in Heidegger's The Origin of the Work of Art
Bresnahan, Aili; Temple University Graduate Student

Formato:	info:eu-repo/semantics/article, info:eu-repo/semantics/publishedVersion,
Enlaces:	This paper makes the claim that in ?The Origin of the Work of Art,? Heidegger treats art as a primary phenomenon through which truth as unhiddenness is revealed at the locus of the work of art. Essays by Heidegger commentators…
Fecha:	2009-06-15
Recurso:	American Society for Aesthetics Graduate E-journal

Recurso libre

Varieties of Response-Dependence: A Critique of Zangwill
Compton, Elizabeth Zeron; University at Buffalo

Formato:	info:eu-repo/semantics/article, info:eu-repo/semantics/publishedVersion,
Enlaces:	The dispositional nature of aesthetic properties is taken by some to be a problem for aesthetic property realism. Nick Zangwill argues that because aesthetic properties supervene on sensory properties such as color, they must be secondary qualities, and his response-dependence…
Fecha:	2009-01-28
Recurso:	Ameriquests

Recurso libre

The Dynamic Phenomenon of Art in Heidegger's The Origin of the Work of Art
Bresnahan, Aili; Temple University Graduate Student

Formato:	info:eu-repo/semantics/article, info:eu-repo/semantics/publishedVersion,
Enlaces:	This paper makes the claim that in ?The Origin of the Work of Art,? Heidegger treats art as a primary phenomenon through which truth as unhiddenness is revealed at the locus of the work of art. Essays by Heidegger commentators…
Fecha:	2009-06-15
Recurso:	Ameriquests

Recurso libre

The Hand that Writes Community in Blood
Diprose, Rosalyn; University of New South Wales

Formato:	info:eu-repo/semantics/article, info:eu-repo/semantics/publishedVersion
Enlaces:	I propose this account of community formation, which finds bodies, ungraspable difference and the expression of meaning inextricably linked, in order to address a neglect of the sociality of the body in current models of community. That neglect, I submit,…
Fecha:	2013-09-13
Recurso:	Cultural Studies Review

Recurso libre

Must Aesthetic Definitions of Art be Disjunctive?
Farrell, Jonathan; Philosophy Program, RSSS, The Australian National University

Formato:	info:eu-repo/semantics/article, info:eu-repo/semantics/publishedVersion,
Enlaces:	Aesthetic definitions of art face difficulties in dealing with art that is nonaesthetic. This has led some to suggest that if aesthetic theories of art are to apply to all art, then they must be disjunctive. In such a case,…
Fecha:	2008-11-03
Recurso:	American Society for Aesthetics Graduate E-journal

Recurso libre

10.

Dots and Data: Seurat, Sartre and Merleau-Ponty
Gutierrez, Michael; Boston College

Formato:	info:eu-repo/semantics/article, info:eu-repo/semantics/publishedVersion,
Enlaces:	More than any other artist of the modern era, Georges Seurat has been subjected to an analysis in which the genius of his works is reduced to the theoretical framework?pointillism?out of which they supposedly emerged. This paper considers three major…
Fecha:	2009-12-19
Recurso:	American Society for Aesthetics Graduate E-journal

Recurso libre

11.

Can Digital Pictures Qualify as Photographs?
Gooskens, Geert; Research Foundation - Flanders (FWO) / University of Antwerp

Formato:	info:eu-repo/semantics/article, info:eu-repo/semantics/publishedVersion,
Enlaces:	Can digital pictures qualify as photographs? The commonsensical answer is that they can. We are happy to call a picture of a scene made with a digital camera a photograph. According to William Mitchell, however, we are wrong to do…
Fecha:	2012-01-17
Recurso:	American Society for Aesthetics Graduate E-journal

Recurso libre

12.

The Mathematical and Temporal Basis of Judgments of the Sublime
Cole, Daniel; Independent scholar

Formato:	info:eu-repo/semantics/article, info:eu-repo/semantics/publishedVersion,
Enlaces:	In this paper, I elaborate the difference between the concept of infinity and the idea of infinity through Cantor's diagonalization proof to illuminate a passage in Kant's Critique of Judgment. Taking Lyotard's analysis of aesthetic judgments as the basis for…
Fecha:	2012-01-17
Recurso:	American Society for Aesthetics Graduate E-journal

Recurso libre

13.

Still Two Problematic Theses in Carroll's Account of Horror: A Response to "Monsters and the Moving Image"
Laetz, Brian; University of British Columbia

Formato:	info:eu-repo/semantics/article, info:eu-repo/semantics/publishedVersion,
Enlaces:	Noël Carroll?s seminal account of horror involves two original suggestions that distinguish his theory from previous views of the genre. One is that audiences are supposed to parallel the emotional responses that certain characters have when they confront horror monsters.…
Fecha:	2009-12-17
Recurso:	American Society for Aesthetics Graduate E-journal

Recurso libre

14.

The Good Life as Conceptual Art
Naar, Hichem; University of Manchester

Formato:	info:eu-repo/semantics/article, info:eu-repo/semantics/publishedVersion,
Enlaces:	If we take conceptual art seriously, that is, if we consider that art does not have clear-cut boundaries and that it is not limited to the production of aesthetic objects, then a whole spectrum of possible artworks is open to…
Fecha:	2009-12-17
Recurso:	American Society for Aesthetics Graduate E-journal

Recurso libre

15.

Must Aesthetic Definitions of Art be Disjunctive?
Farrell, Jonathan; Philosophy Program, RSSS, The Australian National University

Formato:	info:eu-repo/semantics/article, info:eu-repo/semantics/publishedVersion,
Enlaces:	Aesthetic definitions of art face difficulties in dealing with art that is nonaesthetic. This has led some to suggest that if aesthetic theories of art are to apply to all art, then they must be disjunctive. In such a case,…
Fecha:	2008-11-03
Recurso:	Ameriquests

Recurso libre

16.

Dots and Data: Seurat, Sartre and Merleau-Ponty
Gutierrez, Michael; Boston College

Formato:	info:eu-repo/semantics/article, info:eu-repo/semantics/publishedVersion,
Enlaces:	More than any other artist of the modern era, Georges Seurat has been subjected to an analysis in which the genius of his works is reduced to the theoretical framework?pointillism?out of which they supposedly emerged. This paper considers three major…
Fecha:	2009-12-19
Recurso:	Ameriquests

Recurso libre

17.

Can Digital Pictures Qualify as Photographs?
Gooskens, Geert; Research Foundation - Flanders (FWO) / University of Antwerp

Formato:	info:eu-repo/semantics/article, info:eu-repo/semantics/publishedVersion,
Enlaces:	Can digital pictures qualify as photographs? The commonsensical answer is that they can. We are happy to call a picture of a scene made with a digital camera a photograph. According to William Mitchell, however, we are wrong to do…
Fecha:	2012-01-17
Recurso:	Ameriquests

Recurso libre

18.

The Mathematical and Temporal Basis of Judgments of the Sublime
Cole, Daniel; Independent scholar

Formato:	info:eu-repo/semantics/article, info:eu-repo/semantics/publishedVersion,
Enlaces:	In this paper, I elaborate the difference between the concept of infinity and the idea of infinity through Cantor's diagonalization proof to illuminate a passage in Kant's Critique of Judgment. Taking Lyotard's analysis of aesthetic judgments as the basis for…
Fecha:	2012-01-17
Recurso:	Ameriquests

Recurso libre

19.

Still Two Problematic Theses in Carroll's Account of Horror: A Response to "Monsters and the Moving Image"
Laetz, Brian; University of British Columbia

Formato:	info:eu-repo/semantics/article, info:eu-repo/semantics/publishedVersion,
Enlaces:	Noël Carroll?s seminal account of horror involves two original suggestions that distinguish his theory from previous views of the genre. One is that audiences are supposed to parallel the emotional responses that certain characters have when they confront horror monsters.…
Fecha:	2009-12-17
Recurso:	Ameriquests

Recurso libre

20.

The Good Life as Conceptual Art
Naar, Hichem; University of Manchester

Formato:	info:eu-repo/semantics/article, info:eu-repo/semantics/publishedVersion,
Enlaces:	If we take conceptual art seriously, that is, if we consider that art does not have clear-cut boundaries and that it is not limited to the production of aesthetic objects, then a whole spectrum of possible artworks is open to…
Fecha:	2009-12-17
Recurso:	Ameriquests

Recurso libre

21.

Enacting a "Living Script": Moses Mendelssohn on History, Practice, and Religion
Sacks, Elias Reinhold

Formato:	Academic dissertations (Ph.D.)
Enlaces:	This dissertation explores the conception of Jewish practice developed in the writings of Moses Mendelssohn (1729-1786). Although this eighteenth-century figure is often described as the "founder" of modern Jewish thought and as a leading philosopher of the late Enlightenment, considerable…
Fecha:	2012-11-15
Recurso:	Universidad de Princenton

Recurso libre

22.

Ética de la virtud y ética del cuidado: ¿Complementarias o conflictivas? [Inglés], Virtue ethics and an ethics of care: complementary or in conflict?
Alan Thomas; Tilburg University, Department of Philosophy.

Formato:	,
Enlaces:	Este artículo compara y contrasta la ética de la virtud con la del cuidado, a fin de determinar su mutua relación. Se afirma que existe una tradición en la ética de la virtud que enfatiza que la virtud es conocimiento,…
Fecha:	2011-07-15
Recurso:	Eidos: revista de filosofía de la Universidad del Norte