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Aproximadamente 16 registro(s) hasta el momento: (knowledge)

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11.

Formato:	info:eu-repo/semantics/article, info:eu-repo/semantics/publishedVersion,
Enlaces:	Descripción completa.
Fecha:	2013-08-19
Recurso:	American Society for Aesthetics Graduate E-journal

Recurso libre

12.

A Philosophy of Computer Art
Trotter, Greg; Loyola University Chicago

Formato:	info:eu-repo/semantics/article, info:eu-repo/semantics/publishedVersion, Book review
Enlaces:	Descripción completa.
Fecha:	2013-03-07
Recurso:	American Society for Aesthetics Graduate E-journal

Recurso libre

13.

Interview: Andrew Benjamin
Gutierrez, Michael; Loyola University Chicago

Formato:	info:eu-repo/semantics/article, info:eu-repo/semantics/publishedVersion, Interviews
Enlaces:	Descripción completa.
Fecha:	2013-04-14
Recurso:	American Society for Aesthetics Graduate E-journal

Recurso libre

14.

Formato:	info:eu-repo/semantics/article, info:eu-repo/semantics/publishedVersion,
Enlaces:	In the opening scene of Plato?s Phaedrus, the Socratic interlocutor of the same name swears on a sacred plane tree in order to compel an unwilling Socrates to speak on the subject of Eros. Socrates subsequently both recants this speech…
Fecha:	2013-08-22
Recurso:	American Society for Aesthetics Graduate E-journal

Recurso libre

15.

Rethinking Realism: A Critique of Georg Lukács
Prusik, Charles A.; Villanova University

Formato:	info:eu-repo/semantics/article, info:eu-repo/semantics/publishedVersion,
Enlaces:	Word Count: 3,624 In ?The Ideology of Modernism,? Georg Lukács proposes the following antithesis in order to critique the aesthetic condition of modern subjectivity: ?Abstract potentiality belongs wholly to the realm of subjectivity; whereas concrete potentiality is concerned with the dialectic…
Fecha:	2013-03-07
Recurso:	American Society for Aesthetics Graduate E-journal

Recurso libre

16.

Rothko's Negative Theology
Lovett, Matthew; Duquesne University

Formato:	info:eu-repo/semantics/article, info:eu-repo/semantics/publishedVersion,
Enlaces:	This paper argues that the progression of Mark Rotho's painting, from his early, surrealist work to his more famous and more abstract Classical paintings, can be read as following the same structure as outlined by Pseudo-Dionysius' apophatic theology. In his…
Fecha:	2013-03-07
Recurso:	American Society for Aesthetics Graduate E-journal