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Recurso libre

Still Two Problematic Theses in Carroll's Account of Horror: A Response to "Monsters and the Moving Image"
Laetz, Brian; University of British Columbia

Formato:	info:eu-repo/semantics/article, info:eu-repo/semantics/publishedVersion,
Enlaces:	Noël Carroll?s seminal account of horror involves two original suggestions that distinguish his theory from previous views of the genre. One is that audiences are supposed to parallel the emotional responses that certain characters have when they confront horror monsters.…
Fecha:	2009-12-17
Recurso:	Ameriquests

Recurso libre

The Good Life as Conceptual Art
Naar, Hichem; University of Manchester

Formato:	info:eu-repo/semantics/article, info:eu-repo/semantics/publishedVersion,
Enlaces:	If we take conceptual art seriously, that is, if we consider that art does not have clear-cut boundaries and that it is not limited to the production of aesthetic objects, then a whole spectrum of possible artworks is open to…
Fecha:	2009-12-17
Recurso:	Ameriquests

Recurso libre

The Art Instinct: Beauty, Pleasure, and Human Evolution
Gully, Nigel Thomas; San Jose Museum of Art

Formato:	info:eu-repo/semantics/article, info:eu-repo/semantics/publishedVersion, Book review
Enlaces:	Descripción completa.
Fecha:	2012-01-17
Recurso:	Ameriquests

Recurso libre

Book Review: Noël Carroll, Living in an Artworld
Naqvi, Erum; Temple University

Formato:	info:eu-repo/semantics/article, info:eu-repo/semantics/publishedVersion, Book review
Enlaces:	Descripción completa.
Fecha:	2012-06-17
Recurso:	Ameriquests

Recurso libre

Sympathy for the Devil. The Paradox of Emotional Response to Fiction
Arguello Manresa, Gemma; INSTITUTE OF PHILOSOPHICAL RESEARCH

Formato:	info:eu-repo/semantics/article, info:eu-repo/semantics/publishedVersion, Dissertation abstract
Enlaces:	Descripción completa.
Fecha:	2012-01-17
Recurso:	Ameriquests

Recurso libre

Pretence Problems and Make-Believe Emotions
Neuber, Simone; University of Heidelberg

Formato:	info:eu-repo/semantics/article, info:eu-repo/semantics/publishedVersion, Dissertation abstract
Enlaces:	Descripción completa.
Fecha:	2012-01-17
Recurso:	Ameriquests

Recurso libre

The Routledge Companion to Philosophy and Music
De Munck, Marlies

Formato:	info:eu-repo/semantics/article, info:eu-repo/semantics/publishedVersion, Book review
Enlaces:	Descripción completa.
Fecha:	2012-01-17
Recurso:	Ameriquests

Recurso libre

Formato:	info:eu-repo/semantics/article, info:eu-repo/semantics/publishedVersion,
Enlaces:	This paper argues that for sacred art to remain sacred art it must follow certain traditional forms of aesthetics, which in turn allow it to be conducive as a vehicle toward intellection. Moreover, this paper argues that sacred art can…
Fecha:	2012-01-17
Recurso:	Ameriquests

Recurso libre

The Soviet Aesthetics of Aleksandr Voronsky: A Brief Exposition
David-West, Alzo; Aichi Prefectural University

Formato:	info:eu-repo/semantics/article, info:eu-repo/semantics/publishedVersion,
Enlaces:	This paper presents a concise exposition of the aesthetic theory of the early Soviet literary critic Aleksandr Voronsky, the editor of Red Virgin Soil who was executed in Josef Stalin?s Great Purge. Despite an anthology of Voronsky?s writings, published for…
Fecha:	2012-06-17
Recurso:	Ameriquests

Recurso libre

10.

Can Digital Pictures Qualify as Photographs?
Gooskens, Geert; Research Foundation - Flanders (FWO) / University of Antwerp

Formato:	info:eu-repo/semantics/article, info:eu-repo/semantics/publishedVersion,
Enlaces:	Can digital pictures qualify as photographs? The commonsensical answer is that they can. We are happy to call a picture of a scene made with a digital camera a photograph. According to William Mitchell, however, we are wrong to do…
Fecha:	2012-01-17
Recurso:	Ameriquests