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Return to Reality: Towards A More Tactile Cognition of Film Theory
Akser, Murat; Kadir Has University

Formato:	info:eu-repo/semantics/article, Peer-reviewed Article, info:eu-repo/semantics/publishedVersion
Enlaces:	Film theory has lost itself in the woods among debates of the mind and the senses. Ther are those who are interested in a more tactile sense of the real in film studies. This issue of CINEJ focuses on the…
Fecha:	2012-04-26
Recurso:	CINEJ Cinema Journal

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Editorial
Akser, Murat; Kadir Has University

Formato:	info:eu-repo/semantics/article, Peer-reviewed Article, info:eu-repo/semantics/publishedVersion
Enlaces:	This issue of CINEJ focuses on issues ranging from Malian Cinema, Islam in Turkish cinema, Bergman, Mulholland Drive and sound in early Hollywood cinema.
Fecha:	2012-12-21
Recurso:	CINEJ Cinema Journal

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The Avenging Females: A Comparative Analysis of Kill Bill Vol.1-2, Death Proof and Sympathy for Lady Vengeance
Göksel Demiray, Basak; Bahcesehir University

Formato:	info:eu-repo/semantics/article, Peer-reviewed Article, info:eu-repo/semantics/publishedVersion
Enlaces:	This paper provides a comparative analysis of Quentin Tarantino’s Kill Bill Vol.1-2 (2003, 2004), Death Proof (2007) and Park Chan Wook’s Sympathy for Lady Vengeance (Chinjeolhan Geumjassi, 2005). The primary objectives of this study are: (1) to reveal the gender-biases…
Fecha:	2012-04-26
Recurso:	CINEJ Cinema Journal

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To Find Is To Choose, To Choose Is To Create: Culture(s) in Cinematic and Architectural Space(s) Stoker’s Dracula (1992)
Gencosmanoglu, Asu Besgen

Formato:	info:eu-repo/semantics/article, Peer-reviewed Article, info:eu-repo/semantics/publishedVersion
Enlaces:	In Wikipedia, which is the symbol of global and virtual source in today’s research culture, culture is defined in three different ways: It is the excellence of taste in fine arts and humanities; an integrated pattern of human knowledge, belief,…
Fecha:	2012-04-26
Recurso:	CINEJ Cinema Journal

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Historical “Truth,” Constructed Memory: Restaging Germany’s Reunification in Thomas Berger’s Television Melodrama Wir sind das Volk. Liebe kennt keine Grenzen (We are the people. Love without limits) (2008)
Mascha, Katrin B; University of Pittsburgh

Formato:	info:eu-repo/semantics/article, Peer-reviewed Article, info:eu-repo/semantics/publishedVersion
Enlaces:	Film and television are popular media for the (re)presentation of history and the depiction of momentous past events. Germany’s reunification is no exception. After the fall of the Berlin Wall, Germany has witnessed a proliferation of media production that endeavors…
Fecha:	2012-04-26
Recurso:	CINEJ Cinema Journal

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Necessary Fictions: From Cinéma vérité to Ciné, ma vérité(s)
Aquino, Rowena Santos

Formato:	info:eu-repo/semantics/article, Peer-reviewed Article, info:eu-repo/semantics/publishedVersion
Enlaces:	Despite critical reconceptualisations of reenactment in theory and practice beginning in the 1980s, such scholarship has confined reenactment to a process that rests solely on substitution, actors, and actor reenactment. This article examines reenactment in which actual persons reenact their…
Fecha:	2012-04-26
Recurso:	CINEJ Cinema Journal

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Secrets, Trauma, and the Memory Market (or the return of the repressed in recent Argentine post-dictatorship cultural production)
Tandeciarz, Silvia R; College of William and Mary

Formato:	info:eu-repo/semantics/article, Peer-reviewed Article, info:eu-repo/semantics/publishedVersion
Enlaces:	Since the end of the last Argentine Dictatorship (1976-1983), a number of feature-length films have engaged in the public debate over the legacies of state terrorism. El secreto de sus ojos (2009), Argentina's most recent Oscar winner, is the latest to…
Fecha:	2012-04-26
Recurso:	CINEJ Cinema Journal

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The Thin Blue Line: How can we destroy actuality with editing?
Kaymaz, Özlem Tuğçe; Kadir Has University

Formato:	info:eu-repo/semantics/article, Peer-reviewed Article, info:eu-repo/semantics/publishedVersion
Enlaces:	Reviews referring to Francis Ford Coppola’s Columbia Pictures Bram Stoker’s Dracula classic of 1992 recurrently mention the images owing to the camera work of Michael Ballhaus as the striking feature of the movie and highly praise them for their thematically…
Fecha:	2012-04-26
Recurso:	CINEJ Cinema Journal

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Seeking God in Early Bergman: The Cases of The Seventh Seal and Winter Light
Kartal, Esma; Kadir Has University

Formato:	info:eu-repo/semantics/article, Peer-reviewed Article, info:eu-repo/semantics/publishedVersion
Enlaces:	The films of Ingmar Bergman have oftentimes been considered depressing and pessimistic. Nevertheless, there is enough material to claim that this is not the case. Two of his early pieces, Det sjunde inseglet/The Seventh Seal (1957) and Nattvardsgästerna/Winter Light (1963)…
Fecha:	2012-04-26
Recurso:	CINEJ Cinema Journal

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10.

Transperance Me I Want to be Visible: Gay Gaze in Tom Ford’s film A Single Man
Gokcem, Selen; "Kadir Has University"

Formato:	info:eu-repo/semantics/article, Peer-reviewed Article, info:eu-repo/semantics/publishedVersion
Enlaces:	Classic gaze theory that was underlined by Laura Mulvey in 1975 which claims the male gaze objectifies woman and turns the woman into a sex object, is lack in the explaining gaze from man to man. In Tom Ford’s A…
Fecha:	2012-04-26
Recurso:	CINEJ Cinema Journal

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11.

Garden of Ambivalence The Topology of the Mother-child Dyad in Grey Gardens
Tüzün, Defne; Kadir Has University

Formato:	info:eu-repo/semantics/article, Peer-reviewed Article, info:eu-repo/semantics/publishedVersion
Enlaces:	The Maysles brothers’ 1975 documentary, Grey Gardens, portrays the lives of Edith Bouvier Beale and her daughter, Edith, known as Little Edie, the aunt and first cousin, respectively, of Jacqueline Bouvier Kennedy Onassis. The mother and daughter live together in…
Fecha:	2012-04-26
Recurso:	CINEJ Cinema Journal

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12.

Music, Magic, and the Mythic: The Dynamics of Visual and Aural Discourse in Souleymane Cissé’s Yeelen
Fisher, Alexander; Queen's University Belfast

Formato:	info:eu-repo/semantics/article, Peer-reviewed Article, info:eu-repo/semantics/publishedVersion
Enlaces:	The 1980s saw a wave of African films that aimed to represent, on both local and international screens, a sophisticated pre-colonial Africa, representing ancient myths and traditions while simultaneously debunking notions of the continent as primitive. Toward this aim the…
Fecha:	2012-12-21
Recurso:	CINEJ Cinema Journal

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13.

The impact of sound technology on the distribution of shot lengths in Hollywood cinema, 1920 to 1933
Redfern, Nick; Independent researcher

Formato:	info:eu-repo/semantics/article, Peer-reviewed Article, info:eu-repo/semantics/publishedVersion
Enlaces:	The impact of sound technology on Hollywood is analysed through looking at the median shot lengths of silent films from the 1920s (n = 54) and early sound films (n = 106). The results show a large increase in the…
Fecha:	2012-12-21
Recurso:	CINEJ Cinema Journal

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14.

Response to “Seeking God in Early Bergman: The Cases of The Seventh Seal and Winter Light”
Pua, Phoebe; Australian National University

Formato:	info:eu-repo/semantics/article, Peer-reviewed Article, info:eu-repo/semantics/publishedVersion
Enlaces:	This article offers alternate readings of Ingmar Bergman’s The Seventh Seal (1957) and Winter Light (1963) to those proposed in a preceding article by Esma Kartal. It argues against the contention that the two films express optimism about one’s ability…
Fecha:	2012-12-21
Recurso:	CINEJ Cinema Journal

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15.

Islam goes Hollywood. An exploratory study on Islam in Turkish cinema
Bruijn, Petra de; Leiden University, Faculty of Humanities, Leiden Institute of Area Studies, Middel Eastern Studies, Turkish Studies Studies

Formato:	info:eu-repo/semantics/article, Peer-reviewed Article, info:eu-repo/semantics/publishedVersion
Enlaces:	Abstract By means of two case studies, this article demonstrates how differently Islam is depicted in a Turkish film composed by a secular, intellectual director and in a film considered to promote an Islamic way of life. Yılmaz Güney’s art…
Fecha:	2012-12-21
Recurso:	CINEJ Cinema Journal

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16.

Memory, Identity and Desire: A Psychoanalytic Reading of David Lynch’s Mulholland Drive
Akser, Murat; Kadir Has University

Formato:	info:eu-repo/semantics/article, Peer-reviewed Article, info:eu-repo/semantics/publishedVersion
Enlaces:	This is a reading of David Mulholland Drive through psychoanalytic approach of Lacan from the perspective of formation of fantasy and shifting identities. Lynch constructs his films consciously choosing his themes from the sub(versive/conscious) side of human mind. Previous attempts…
Fecha:	2012-12-21
Recurso:	CINEJ Cinema Journal