The mythic genealogy and history of Ceos that was given by the historian Xenomedes (V B.C.) can be partly reconstructed from Callimachus fr.75.

Scribal errors are classified and tabulated; those reflecting uncials are comparatively few, while aural confusions are common, and several types of omission.

The epithets of Artemis in lines 37ff, multiple and ambivalent, signal the overall theme of the ode, animal madness versus cultivation.

In Aristotle’s definition of tragedy as distinct from comedy, σπουδαῖος as elsewhere in the Poetics should apply to character and mean not ‘serious’ but ‘noble’: tragedy is an action that reveals the nobility of the character.

A late Hellenistic inscription on the cult of Isis in Athens is reedited; its probable date is soon after 37, reflecting the influence of Cleopatra.

What Sulla and the Roman Senate granted to Carian Tabae ca. 80 B.C. was “villages” to be subject to the city’s laws.

Recent books on ancient art are critically surveyed, organized according to topic.

A bilingual inscription from Istros surviving in two copies is reedited, an archive of decisions of the first and second centuries A.D. concerning the city’s privileges, especially as to fishing.

The medieval universities were diverse in their use of the Aristotelian heritage, and this diversity continued and flourished in the Renaissance (e.g. the non-theological approach in Italy), until the scientific revolution of the 17th century rejected Aristotelian physics.