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Recurso libre

Turned Back: Mad Men as Intermedial Melodrama
Rooney, Monique; Australian National University

Formato:	info:eu-repo/semantics/article, info:eu-repo/semantics/publishedVersion
Enlaces:	This essay draws on definitions of gesture (Giorgio Agamben and Peter Brooks) and catachresis (Peter Brooks, Jacques Derrida) to examine the primacy of non-verbal signifiers as communicators of meaning in AMC’s Mad Men. Beginning with an analysis of Mad Men’s…
Fecha:	2012-09-18
Recurso:	Cultural Studies Review

Recurso libre

Mad Men’s Deceptive (Critique Of) Creativity
Robert, Julie; University of Technology, Sydney

Formato:	info:eu-repo/semantics/article, info:eu-repo/semantics/publishedVersion
Enlaces:	This article analyses Mad Men’s relationship to creativity. Considering popular, industry-specific and scholarly understandings, it uses close readings of the show and its narratological techniques to demonstrate how these potentially contradictory concepts and practices of creativity overlap in the show’s…
Fecha:	2012-09-18
Recurso:	Cultural Studies Review

Recurso libre

California and Irony in Mad Men
Taveira, Rodney; University of Sydney

Formato:	info:eu-repo/semantics/article, info:eu-repo/semantics/publishedVersion
Enlaces:	The combination of melodramatic and art cinematic techniques and influences in AMC’s television series Mad Men (2007¬–) reveals how a melodramatic televisuality can image novel modes of social and intimate relations and an alternative to the archetypal American narrative of…
Fecha:	2012-09-18
Recurso:	Cultural Studies Review