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21.
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New Turkish Cinema – Some Remarks On The Homesickness Of The Turkish Soul Kaim, Agnieszka Ayşen; University of Lodz
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22.
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Changing Landscape of Moral Registers and Urban Pathology in ‘Bombay’ Cinema: Decline of Biological Family and Birth of the Individual through Awara (1951), Deewar (1951), (1975) and Satya (1998) Kumar, Akshaya; Jawaharlal Nehru University
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23.
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Re-Organizing Cultural Values: Vers le Sud by Laurent Cantet Michelmann, Judith; University of St. Gallen
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24.
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The Relation between Hollywood and the New Threat Perception of the USA after the End of the Cold War from the Perspective of Postmodernism Deger, Derya; Sakarya University
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25.
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The Wing Beat of the Butterfly. The Causality of Asymmetric Cultural Encounters and Escalation in Babel (2006) and Valley of Wolves – Iraq/ Kurtlar Vadisi – Irak (2006) Bernard, Veronika; University of Innsbruck
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26.
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The Language of Colours. A Semiotic Analysis of Colours and Symbolic Imagery in Francis Ford Coppola’s "Bram Stoker’s Dracula" (1992) Bernard, Veronika; University of Innsbruck
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27.
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The Avenging Females: A Comparative Analysis of Kill Bill Vol.1-2, Death Proof and Sympathy for Lady Vengeance Göksel Demiray, Basak; Bahcesehir University
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28.
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To Find Is To Choose, To Choose Is To Create: Culture(s) in Cinematic and Architectural Space(s) Stoker’s Dracula (1992) Gencosmanoglu, Asu Besgen
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29.
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Historical “Truth,” Constructed Memory: Restaging Germany’s Reunification in Thomas Berger’s Television Melodrama Wir sind das Volk. Liebe kennt keine Grenzen (We are the people. Love without limits) (2008) Mascha, Katrin B; University of Pittsburgh
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30.
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Necessary Fictions: From Cinéma vérité to Ciné, ma vérité(s) Aquino, Rowena Santos
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