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Recurso libre

Pretence Problems and Make-Believe Emotions
Neuber, Simone; University of Heidelberg

Formato:	info:eu-repo/semantics/article, info:eu-repo/semantics/publishedVersion, Dissertation abstract
Enlaces:	Descripción completa.
Fecha:	2012-01-17
Recurso:	American Society for Aesthetics Graduate E-journal

Recurso libre

Pretence Problems and Make-Believe Emotions
Neuber, Simone; University of Heidelberg

Formato:	info:eu-repo/semantics/article, info:eu-repo/semantics/publishedVersion, Dissertation abstract
Enlaces:	Descripción completa.
Fecha:	2012-01-17
Recurso:	Ameriquests

Recurso libre

Varieties of Response-Dependence: A Critique of Zangwill
Compton, Elizabeth Zeron; University at Buffalo

Formato:	info:eu-repo/semantics/article, info:eu-repo/semantics/publishedVersion,
Enlaces:	The dispositional nature of aesthetic properties is taken by some to be a problem for aesthetic property realism. Nick Zangwill argues that because aesthetic properties supervene on sensory properties such as color, they must be secondary qualities, and his response-dependence…
Fecha:	2009-01-28
Recurso:	American Society for Aesthetics Graduate E-journal

Recurso libre

The Dynamic Phenomenon of Art in Heidegger's The Origin of the Work of Art
Bresnahan, Aili; Temple University Graduate Student

Formato:	info:eu-repo/semantics/article, info:eu-repo/semantics/publishedVersion,
Enlaces:	This paper makes the claim that in ?The Origin of the Work of Art,? Heidegger treats art as a primary phenomenon through which truth as unhiddenness is revealed at the locus of the work of art. Essays by Heidegger commentators…
Fecha:	2009-06-15
Recurso:	American Society for Aesthetics Graduate E-journal

Recurso libre

Varieties of Response-Dependence: A Critique of Zangwill
Compton, Elizabeth Zeron; University at Buffalo

Formato:	info:eu-repo/semantics/article, info:eu-repo/semantics/publishedVersion,
Enlaces:	The dispositional nature of aesthetic properties is taken by some to be a problem for aesthetic property realism. Nick Zangwill argues that because aesthetic properties supervene on sensory properties such as color, they must be secondary qualities, and his response-dependence…
Fecha:	2009-01-28
Recurso:	Ameriquests

Recurso libre

The Dynamic Phenomenon of Art in Heidegger's The Origin of the Work of Art
Bresnahan, Aili; Temple University Graduate Student

Formato:	info:eu-repo/semantics/article, info:eu-repo/semantics/publishedVersion,
Enlaces:	This paper makes the claim that in ?The Origin of the Work of Art,? Heidegger treats art as a primary phenomenon through which truth as unhiddenness is revealed at the locus of the work of art. Essays by Heidegger commentators…
Fecha:	2009-06-15
Recurso:	Ameriquests

Recurso libre

Introductory Notes on an Ecology of Practices
Stengers, Isabelle; Free University of Brussels

Formato:	info:eu-repo/semantics/article, info:eu-repo/semantics/publishedVersion
Enlaces:	Prepared for an ANU Humanities Research Centre Symposium in early August 2003, these notes may be considered as a comment on Brian Massumi’s proposition that ‘a political ecology would be a social technology of belonging, assuming coexistence and co-becoming as…
Fecha:	2013-08-12
Recurso:	Cultural Studies Review

Recurso libre

Philosophy’s Attitude towards the Comic – A Reevaluation
Amir, Lydia B.; College of Management Academic Studies

Formato:	info:eu-repo/semantics/article, Peer-reviewed Article, info:eu-repo/semantics/publishedVersion
Enlaces:	Contrary to common opinion, philosophy’s relations with the comic are profound and complex, yet the nature and significance of this relationship is surprisingly under studied. I have found that the relations that philosophy entertains with the comic can be conceptualized…
Fecha:	2013-04-01
Recurso:	European Journal of Humour Research

Recurso libre

Must Aesthetic Definitions of Art be Disjunctive?
Farrell, Jonathan; Philosophy Program, RSSS, The Australian National University

Formato:	info:eu-repo/semantics/article, info:eu-repo/semantics/publishedVersion,
Enlaces:	Aesthetic definitions of art face difficulties in dealing with art that is nonaesthetic. This has led some to suggest that if aesthetic theories of art are to apply to all art, then they must be disjunctive. In such a case,…
Fecha:	2008-11-03
Recurso:	American Society for Aesthetics Graduate E-journal

Recurso libre

10.

Dots and Data: Seurat, Sartre and Merleau-Ponty
Gutierrez, Michael; Boston College

Formato:	info:eu-repo/semantics/article, info:eu-repo/semantics/publishedVersion,
Enlaces:	More than any other artist of the modern era, Georges Seurat has been subjected to an analysis in which the genius of his works is reduced to the theoretical framework?pointillism?out of which they supposedly emerged. This paper considers three major…
Fecha:	2009-12-19
Recurso:	American Society for Aesthetics Graduate E-journal