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Recurso libre

Nominalism and Its Aftermath: The Philosophy of Nelson Goodman
Gully, Nigel Thomas; The University of Liverpool

Formato:	info:eu-repo/semantics/article, info:eu-repo/semantics/publishedVersion, Book review
Enlaces:	Descripción completa.
Fecha:	2009-09-28
Recurso:	Ameriquests

Recurso libre

Zips: Experimental Lines of Flight
Johnson, Ryan; Kent State University

Formato:	info:eu-repo/semantics/article, info:eu-repo/semantics/publishedVersion,
Enlaces:	By applying a few of the concepts and transformative tools presenting in many of Deleuze?s texts, Barnett Newman?s paintings receive a much-needed re-interpretation. In many of Newman?s paintings, the fields of colors and the pulsating zips that sear through these…
Fecha:	2009-09-28
Recurso:	Ameriquests

Recurso libre

Dots and Data: Seurat, Sartre and Merleau-Ponty
Gutierrez, Michael; Boston College

Formato:	info:eu-repo/semantics/article, info:eu-repo/semantics/publishedVersion,
Enlaces:	More than any other artist of the modern era, Georges Seurat has been subjected to an analysis in which the genius of his works is reduced to the theoretical framework?pointillism?out of which they supposedly emerged. This paper considers three major…
Fecha:	2009-12-19
Recurso:	Ameriquests

Recurso libre

Still Two Problematic Theses in Carroll's Account of Horror: A Response to "Monsters and the Moving Image"
Laetz, Brian; University of British Columbia

Formato:	info:eu-repo/semantics/article, info:eu-repo/semantics/publishedVersion,
Enlaces:	Noël Carroll?s seminal account of horror involves two original suggestions that distinguish his theory from previous views of the genre. One is that audiences are supposed to parallel the emotional responses that certain characters have when they confront horror monsters.…
Fecha:	2009-12-17
Recurso:	Ameriquests

Recurso libre

The Good Life as Conceptual Art
Naar, Hichem; University of Manchester

Formato:	info:eu-repo/semantics/article, info:eu-repo/semantics/publishedVersion,
Enlaces:	If we take conceptual art seriously, that is, if we consider that art does not have clear-cut boundaries and that it is not limited to the production of aesthetic objects, then a whole spectrum of possible artworks is open to…
Fecha:	2009-12-17
Recurso:	Ameriquests