The notions of the classical and the universal, nowadays an element implicit in any criticism concerned with Rufino Tamayo, were, during the 1920s and 1930s, a basic principle of the esthetic project of Tamayo and the Contemporáneos. This article details…
Fecha:
2010-08-26
Recurso:
Revistas UNAM
CIC - Centro de Información y Conocimiento Johannes Gutenberg ®