1.
|
Return to Reality: Towards A More Tactile Cognition of Film Theory Akser, Murat; Kadir Has University
|
2.
|
The Avenging Females: A Comparative Analysis of Kill Bill Vol.1-2, Death Proof and Sympathy for Lady Vengeance Göksel Demiray, Basak; Bahcesehir University
|
3.
|
To Find Is To Choose, To Choose Is To Create: Culture(s) in Cinematic and Architectural Space(s) Stoker’s Dracula (1992) Gencosmanoglu, Asu Besgen
|
4.
|
Historical “Truth,” Constructed Memory: Restaging Germany’s Reunification in Thomas Berger’s Television Melodrama Wir sind das Volk. Liebe kennt keine Grenzen (We are the people. Love without limits) (2008) Mascha, Katrin B; University of Pittsburgh
|
5.
|
Necessary Fictions: From Cinéma vérité to Ciné, ma vérité(s) Aquino, Rowena Santos
|
6.
|
Secrets, Trauma, and the Memory Market (or the return of the repressed in recent Argentine post-dictatorship cultural production) Tandeciarz, Silvia R; College of William and Mary
|
7.
|
The Thin Blue Line: How can we destroy actuality with editing? Kaymaz, Özlem Tuğçe; Kadir Has University
|
8.
|
Seeking God in Early Bergman: The Cases of The Seventh Seal and Winter Light Kartal, Esma; Kadir Has University
|
9.
|
Transperance Me I Want to be Visible: Gay Gaze in Tom Ford’s film A Single Man Gokcem, Selen; "Kadir Has University"
|
10.
|
Garden of Ambivalence The Topology of the Mother-child Dyad in Grey Gardens Tüzün, Defne; Kadir Has University
|