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1.
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Notes on Contributors Kristine Moruzi; University of Alberta
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2.
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Dickens and Modernity by Juliet John, ed. (rev.) Grace Moore
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3.
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Notes on Contributors Michelle J. Smith; Deakin University
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4.
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Charles Dickens: A Life Defined by Writing (rev.) and The Great Charles Dickens Scandal (rev.) Michael Hollington
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5.
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Law, Literature, and the Transmission of Culture in England, 1837-1925 (rev.) Kirby-Jane Hallum
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6.
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The Working-Class Intellectual in Eighteenth and Nineteenth-Century Britain (rev.) Alexander Davis; University of Otago
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7.
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Neo-Victorianism and the Memory of Empire by Elizabeth Ho (rev.) Kristine Moruzi; Deakin University
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8.
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Neo-Victorianism: The Victorians in the Twenty-First Century, 1999-2009 by Ann Heilmann and Mark Llewellyn (rev.) Michelle J. Smith
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9.
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Neo-Victorian Gothic: Horror, Violence and Degeneration in the Re-Imagined Nineteenth Century by Marie-Luise Kohlke and Christian Gutleben, eds (rev.) Tammy Ho Lai-Ming
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10.
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My Secret Life and the Sexual Economy of Fin-de-Siècle England Marcus Keith Harmes; University of Southern Queensland - Barbara Harmes; University of Southern Queensland
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11.
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“Tell me a story, dear, that is not true”: Love, Historicity, and Transience in A. Mary F. Robinson’s An Italian Garden Patricia Diane Rigg; Acadia University
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12.
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Neo-Victorianism: An Introduction Michelle J. Smith; Deakin University
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13.
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Neo-Victorian Biofiction and the Special/Spectral Case of Barbara Chase-Riboud’s Hottentot Venus Marie-Luise Kohlke
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14.
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Twisting Dickens: Modding Childhood for the Steampunk Marketplace in Cory Doctorow’s “Clockwork Fagin” (2011) Sharon Bickle
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15.
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Time Machine Fashion: Neo-Victorian Style in Twenty-First Century Subcultures Christine Feldman-Barrett
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16.
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The Spectre and the Stage: Reading and Ethics at the Intersection of Psychoanalysis, the neo-Victorian, and the Gothic Jessica Gildersleeve
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17.
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Reassessing Gilbert and Gubar: Women, Creativity, Hopkins Duc Dau; University of Western Australia
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18.
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Neo-Victorian Presence: Tom Phillips and the Non-Hermeneutic Past Christine Ferguson
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19.
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Robert Browning and Mick Imlah: Forming and Collecting the Dramatic Monologue John Morton
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