Gilbert Ryle (1949) divided knowledge into “know that” and “know how”, which is neatly appealing to many design and technology educators, and like many writers on developing the curriculum, Kahney (1993) made a distinction between declarative knowledge:

verbal knowledge,…

2009, Autores: Jorge Blajos, Patrick Lavelle, Dalva M. da Mota, Lucia Pitalluga, Sergio Salles Filho, Jorge Irán Vásquez.

Este ensayo explora aspectos relacionados con la presencia del Budismo de Nichiren Daishonin en Venezuela. Se inicia con una breve revisión de la relación entre religión, ciencia y conocimiento, en la cultura occidental. Luego se presenta una relación sucinta de…

Los textos sánscritos de la India son considerados las obras literarias más antiguas de la humanidad. Representan la
tradición sagrada y la gran cultura védica cuyo mensaje tiene que ver con la autorrealización del ser y constituye el

Al hacer una revisión de las más representativas historias de Venezuela en nuestra historiografía, en lo que respecta al
proceso emancipador, advertimos que el principal problema que ha obstaculizado el estudio de las regiones dentro de dicho proceso, es…

Objective – Evidence based library and information services help to link best evidence with decision making in library practice. Current library and information science practice operates in both a knowledge and evidence-based environment. Health service librarians provide information services in…

This paper outlines reflections by two tutors in Initial Teacher Education on ways design and technology (D&T) has been included in cross-curricular modules at our institution. These modules were a new addition to our courses in response to a conviction…

Researchers in science education have converged on the viewthat argumentation can be an effective intervention for promoting knowledge construction in science classrooms.However, the impact of such interventions may be mediated by individuals’ task goals while arguing. In argumentative discourse, one…

 Noël Carroll?s seminal account of horror involves two original suggestions that distinguish his theory from previous views of the genre. One is that audiences are supposed to parallel the emotional responses that certain characters have when they confront horror monsters.…

If we take conceptual art seriously, that is, if we consider that art does not have clear-cut boundaries and that it is not limited to the production of aesthetic objects, then a whole spectrum of possible artworks is open to…