1.
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Replies to Farrell and Compton Zangwill, Nick; Durham University
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2.
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Nominalism and Its Aftermath: The Philosophy of Nelson Goodman Gully, Nigel Thomas; The University of Liverpool
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3.
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Art, Emotion and Ethics Repp, Charles; University of Toronto
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4.
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Aesthetic and Other Theoretical Virtues in Science Simus, Jason B.; University of North Texas
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5.
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Varieties of Response-Dependence: A Critique of Zangwill Compton, Elizabeth Zeron; University at Buffalo
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6.
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The Dynamic Phenomenon of Art in Heidegger's The Origin of the Work of Art Bresnahan, Aili; Temple University Graduate Student
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7.
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Dots and Data: Seurat, Sartre and Merleau-Ponty Gutierrez, Michael; Boston College
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8.
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Zips: Experimental Lines of Flight Johnson, Ryan; Kent State University
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9.
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Still Two Problematic Theses in Carroll's Account of Horror: A Response to "Monsters and the Moving Image" Laetz, Brian; University of British Columbia
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10.
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The Good Life as Conceptual Art Naar, Hichem; University of Manchester
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11.
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The Art Instinct: Beauty, Pleasure, and Human Evolution Gully, Nigel Thomas; San Jose Museum of Art
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12.
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Book Review: Noël Carroll, Living in an Artworld Naqvi, Erum; Temple University
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13.
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Sympathy for the Devil. The Paradox of Emotional Response to Fiction Arguello Manresa, Gemma; INSTITUTE OF PHILOSOPHICAL RESEARCH
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14.
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Pretence Problems and Make-Believe Emotions Neuber, Simone; University of Heidelberg
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15.
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The Routledge Companion to Philosophy and Music De Munck, Marlies
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16.
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Humanization of Christian Sacred Art and its Erosion as a Vehicle of Contemplative Intellection Amugen, Martyn
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17.
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The Soviet Aesthetics of Aleksandr Voronsky: A Brief Exposition David-West, Alzo; Aichi Prefectural University
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18.
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Can Digital Pictures Qualify as Photographs? Gooskens, Geert; Research Foundation - Flanders (FWO) / University of Antwerp
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19.
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The Mathematical and Temporal Basis of Judgments of the Sublime Cole, Daniel; Independent scholar
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20.
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Enhancing Presence: Sensory Integration and Proprioception in Cinema Astrinaki, Eleftheria; Athens School of Fine Arts
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