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Recurso libre

Replies to Farrell and Compton
Zangwill, Nick; Durham University

Formato:	info:eu-repo/semantics/article, info:eu-repo/semantics/publishedVersion,
Enlaces:	Replies to Jonathan Farrell and Elizabeth Zeron Compton
Fecha:	2009-03-01
Recurso:	American Society for Aesthetics Graduate E-journal

Recurso libre

Nominalism and Its Aftermath: The Philosophy of Nelson Goodman
Gully, Nigel Thomas; The University of Liverpool

Formato:	info:eu-repo/semantics/article, info:eu-repo/semantics/publishedVersion, Book review
Enlaces:	Descripción completa.
Fecha:	2009-09-28
Recurso:	American Society for Aesthetics Graduate E-journal

Recurso libre

Art, Emotion and Ethics
Repp, Charles; University of Toronto

Formato:	info:eu-repo/semantics/article, info:eu-repo/semantics/publishedVersion, Book review
Enlaces:	Descripción completa.
Fecha:	2009-06-15
Recurso:	American Society for Aesthetics Graduate E-journal

Recurso libre

Aesthetic and Other Theoretical Virtues in Science
Simus, Jason B.; University of North Texas

Formato:	info:eu-repo/semantics/article, info:eu-repo/semantics/publishedVersion,
Enlaces:	Here I first provide an introduction to a neglected topic in contemporary aesthetics: intellectual beauty. Then I review James McAllister?s critique of autonomism and reductionism regarding the relation between empirical and aesthetic criteria in scientific theory evaluation. Finally, I critique…
Fecha:	2009-07-16
Recurso:	American Society for Aesthetics Graduate E-journal

Recurso libre

Varieties of Response-Dependence: A Critique of Zangwill
Compton, Elizabeth Zeron; University at Buffalo

Formato:	info:eu-repo/semantics/article, info:eu-repo/semantics/publishedVersion,
Enlaces:	The dispositional nature of aesthetic properties is taken by some to be a problem for aesthetic property realism. Nick Zangwill argues that because aesthetic properties supervene on sensory properties such as color, they must be secondary qualities, and his response-dependence…
Fecha:	2009-01-28
Recurso:	American Society for Aesthetics Graduate E-journal

Recurso libre

The Dynamic Phenomenon of Art in Heidegger's The Origin of the Work of Art
Bresnahan, Aili; Temple University Graduate Student

Formato:	info:eu-repo/semantics/article, info:eu-repo/semantics/publishedVersion,
Enlaces:	This paper makes the claim that in ?The Origin of the Work of Art,? Heidegger treats art as a primary phenomenon through which truth as unhiddenness is revealed at the locus of the work of art. Essays by Heidegger commentators…
Fecha:	2009-06-15
Recurso:	American Society for Aesthetics Graduate E-journal

Recurso libre

Dots and Data: Seurat, Sartre and Merleau-Ponty
Gutierrez, Michael; Boston College

Formato:	info:eu-repo/semantics/article, info:eu-repo/semantics/publishedVersion,
Enlaces:	More than any other artist of the modern era, Georges Seurat has been subjected to an analysis in which the genius of his works is reduced to the theoretical framework?pointillism?out of which they supposedly emerged. This paper considers three major…
Fecha:	2009-12-19
Recurso:	American Society for Aesthetics Graduate E-journal

Recurso libre

Zips: Experimental Lines of Flight
Johnson, Ryan; Kent State University

Formato:	info:eu-repo/semantics/article, info:eu-repo/semantics/publishedVersion,
Enlaces:	By applying a few of the concepts and transformative tools presenting in many of Deleuze?s texts, Barnett Newman?s paintings receive a much-needed re-interpretation. In many of Newman?s paintings, the fields of colors and the pulsating zips that sear through these…
Fecha:	2009-09-28
Recurso:	American Society for Aesthetics Graduate E-journal

Recurso libre

Still Two Problematic Theses in Carroll's Account of Horror: A Response to "Monsters and the Moving Image"
Laetz, Brian; University of British Columbia

Formato:	info:eu-repo/semantics/article, info:eu-repo/semantics/publishedVersion,
Enlaces:	Noël Carroll?s seminal account of horror involves two original suggestions that distinguish his theory from previous views of the genre. One is that audiences are supposed to parallel the emotional responses that certain characters have when they confront horror monsters.…
Fecha:	2009-12-17
Recurso:	American Society for Aesthetics Graduate E-journal

Recurso libre

10.

The Good Life as Conceptual Art
Naar, Hichem; University of Manchester

Formato:	info:eu-repo/semantics/article, info:eu-repo/semantics/publishedVersion,
Enlaces:	If we take conceptual art seriously, that is, if we consider that art does not have clear-cut boundaries and that it is not limited to the production of aesthetic objects, then a whole spectrum of possible artworks is open to…
Fecha:	2009-12-17
Recurso:	American Society for Aesthetics Graduate E-journal

Recurso libre

11.

The Art Instinct: Beauty, Pleasure, and Human Evolution
Gully, Nigel Thomas; San Jose Museum of Art

Formato:	info:eu-repo/semantics/article, info:eu-repo/semantics/publishedVersion, Book review
Enlaces:	Descripción completa.
Fecha:	2012-01-17
Recurso:	American Society for Aesthetics Graduate E-journal

Recurso libre

12.

Book Review: Noël Carroll, Living in an Artworld
Naqvi, Erum; Temple University

Formato:	info:eu-repo/semantics/article, info:eu-repo/semantics/publishedVersion, Book review
Enlaces:	Descripción completa.
Fecha:	2012-06-17
Recurso:	American Society for Aesthetics Graduate E-journal

Recurso libre

13.

Sympathy for the Devil. The Paradox of Emotional Response to Fiction
Arguello Manresa, Gemma; INSTITUTE OF PHILOSOPHICAL RESEARCH

Formato:	info:eu-repo/semantics/article, info:eu-repo/semantics/publishedVersion, Dissertation abstract
Enlaces:	Descripción completa.
Fecha:	2012-01-17
Recurso:	American Society for Aesthetics Graduate E-journal

Recurso libre

14.

Pretence Problems and Make-Believe Emotions
Neuber, Simone; University of Heidelberg

Formato:	info:eu-repo/semantics/article, info:eu-repo/semantics/publishedVersion, Dissertation abstract
Enlaces:	Descripción completa.
Fecha:	2012-01-17
Recurso:	American Society for Aesthetics Graduate E-journal

Recurso libre

15.

The Routledge Companion to Philosophy and Music
De Munck, Marlies

Formato:	info:eu-repo/semantics/article, info:eu-repo/semantics/publishedVersion, Book review
Enlaces:	Descripción completa.
Fecha:	2012-01-17
Recurso:	American Society for Aesthetics Graduate E-journal

Recurso libre

16.

Humanization of Christian Sacred Art and its Erosion as a Vehicle of Contemplative Intellection
Amugen, Martyn

Formato:	info:eu-repo/semantics/article, info:eu-repo/semantics/publishedVersion,
Enlaces:	This paper argues that for sacred art to remain sacred art it must follow certain traditional forms of aesthetics, which in turn allow it to be conducive as a vehicle toward intellection. Moreover, this paper argues that sacred art can…
Fecha:	2012-01-17
Recurso:	American Society for Aesthetics Graduate E-journal

Recurso libre

17.

The Soviet Aesthetics of Aleksandr Voronsky: A Brief Exposition
David-West, Alzo; Aichi Prefectural University

Formato:	info:eu-repo/semantics/article, info:eu-repo/semantics/publishedVersion,
Enlaces:	This paper presents a concise exposition of the aesthetic theory of the early Soviet literary critic Aleksandr Voronsky, the editor of Red Virgin Soil who was executed in Josef Stalin?s Great Purge. Despite an anthology of Voronsky?s writings, published for…
Fecha:	2012-06-17
Recurso:	American Society for Aesthetics Graduate E-journal

Recurso libre

18.

Can Digital Pictures Qualify as Photographs?
Gooskens, Geert; Research Foundation - Flanders (FWO) / University of Antwerp

Formato:	info:eu-repo/semantics/article, info:eu-repo/semantics/publishedVersion,
Enlaces:	Can digital pictures qualify as photographs? The commonsensical answer is that they can. We are happy to call a picture of a scene made with a digital camera a photograph. According to William Mitchell, however, we are wrong to do…
Fecha:	2012-01-17
Recurso:	American Society for Aesthetics Graduate E-journal

Recurso libre

19.

The Mathematical and Temporal Basis of Judgments of the Sublime
Cole, Daniel; Independent scholar

Formato:	info:eu-repo/semantics/article, info:eu-repo/semantics/publishedVersion,
Enlaces:	In this paper, I elaborate the difference between the concept of infinity and the idea of infinity through Cantor's diagonalization proof to illuminate a passage in Kant's Critique of Judgment. Taking Lyotard's analysis of aesthetic judgments as the basis for…
Fecha:	2012-01-17
Recurso:	American Society for Aesthetics Graduate E-journal

Recurso libre

20.

Enhancing Presence: Sensory Integration and Proprioception in Cinema
Astrinaki, Eleftheria; Athens School of Fine Arts

Formato:	info:eu-repo/semantics/article, info:eu-repo/semantics/publishedVersion,
Enlaces:	Film theory and aesthetics have been influenced by recent research on perception in cognitive science and neuroscience, as well as in computing and new media technology. We need to approach film with this kind of research in mind and focus…
Fecha:	2012-06-17
Recurso:	American Society for Aesthetics Graduate E-journal