|
1.
|
Nation, Genre and Female Performance in Canadian Cinema Akser, Murat; Kadir Has University
|
|
2.
|
Editorial Akser, Murat; Kadir Has University
|
|
3.
|
Return to Reality: Towards A More Tactile Cognition of Film Theory Akser, Murat; Kadir Has University
|
|
4.
|
Editorial Akser, Murat; Kadir Has University
|
|
5.
|
Chop Shop and Foreign Parts settle on the fuzzy boundary between fiction and documentary: new representations of New York City in Contemporary Cinema. Canet, Fernando; Fine Arts College (Polytechnic University of Valencia, Spain)
|
|
6.
|
The Tale Of Gandhi Through The Lens: An Inter-Textual Analytical Study Of Three Major Films- Gandhi, The Making Of The Mahatma, And Gandhi, My Father Murthy, C.S.H.N.; Dept of Mass Communication and Journalism Tezpur University Napaam Tezpur Assam 784 028 India - Meitei, Oinam Bedajit; Dept of Mass Communication and Journalism Tezpur University Napaam 784 028 Assam India - Tariang, Dapkupar; Mass Communication and Journalism Tezpur University Napaam Tezpur Assam 784 028 India
|
|
7.
|
The American Dark Ages and the Terrorist Witch in Season of the Witch Vercruysse, Tom; Institute for media studies, University of Leuven
|
|
8.
|
Liu Na’ou And The 1930s Soft Film Movement: A New Approach In Revisionist Chinese Film Historiography Ong, Donna; University of Hong Kong
|
|
9.
|
Wenders in Motion: A Study On The Way Of Characterization In Wim Wenders’ Road Movies Pehlivan, Erman
|
|
10.
|
Same Story But Different Cover: The Substitution Principle in Religion and Understanding It Through Watching Films Uğur, Gökhan; Beykent University, Faculty of Communication
|
|
11.
|
Nostalgia for the Light: A ‘Documemory’ and The Conflict between History and Memory Durak, Didem; Kadir Has University
|
|
12.
|
Defining Italian Neorealism: A Compulsory Movement Kartal, Esma; Kadir Has University
|
|
13.
|
The Avenging Females: A Comparative Analysis of Kill Bill Vol.1-2, Death Proof and Sympathy for Lady Vengeance Göksel Demiray, Basak; Bahcesehir University
|
|
14.
|
To Find Is To Choose, To Choose Is To Create: Culture(s) in Cinematic and Architectural Space(s) Stoker’s Dracula (1992) Gencosmanoglu, Asu Besgen
|
|
15.
|
Historical “Truth,” Constructed Memory: Restaging Germany’s Reunification in Thomas Berger’s Television Melodrama Wir sind das Volk. Liebe kennt keine Grenzen (We are the people. Love without limits) (2008) Mascha, Katrin B; University of Pittsburgh
|
|
16.
|
Necessary Fictions: From Cinéma vérité to Ciné, ma vérité(s) Aquino, Rowena Santos
|
|
17.
|
Secrets, Trauma, and the Memory Market (or the return of the repressed in recent Argentine post-dictatorship cultural production) Tandeciarz, Silvia R; College of William and Mary
|
|
18.
|
The Thin Blue Line: How can we destroy actuality with editing? Kaymaz, Özlem Tuğçe; Kadir Has University
|
|
19.
|
Seeking God in Early Bergman: The Cases of The Seventh Seal and Winter Light Kartal, Esma; Kadir Has University
|
|
20.
|
Transperance Me I Want to be Visible: Gay Gaze in Tom Ford’s film A Single Man Gokcem, Selen; "Kadir Has University"
|
|
21.
|
Garden of Ambivalence The Topology of the Mother-child Dyad in Grey Gardens Tüzün, Defne; Kadir Has University
|
|
22.
|
Music, Magic, and the Mythic: The Dynamics of Visual and Aural Discourse in Souleymane Cissé’s Yeelen Fisher, Alexander; Queen's University Belfast
|
|
23.
|
The impact of sound technology on the distribution of shot lengths in Hollywood cinema, 1920 to 1933 Redfern, Nick; Independent researcher
|
|
24.
|
Response to “Seeking God in Early Bergman: The Cases of The Seventh Seal and Winter Light” Pua, Phoebe; Australian National University
|
|
25.
|
Islam goes Hollywood. An exploratory study on Islam in Turkish cinema Bruijn, Petra de; Leiden University, Faculty of Humanities, Leiden Institute of Area Studies, Middel Eastern Studies, Turkish Studies Studies
|
|
26.
|
Memory, Identity and Desire: A Psychoanalytic Reading of David Lynch’s Mulholland Drive Akser, Murat; Kadir Has University
|
