| Título: | Painting as Stylized Vision: The Movement of Invisibility in ?Eye and Mind? |
| Autores: | Posteraro, Tano S.; McMaster University |
| Fecha: | 2013-08-19 |
| Publicador: | American Society for Aesthetics Graduate E-journal |
| Fuente: |
 |
| Tipo: |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
| Tema: |
Philosophy; Aesthetics; Art; Painting; Philosophy; Aesthetics; Art; Painting; Merleau-Ponty Philosophy; Aesthetics; Art; Painting; Merleau-Ponty |
| Descripción: | |
| Idioma: | Inglés |
1 Enhancing Presence: Sensory Integration and Proprioception in Cinema por Astrinaki, Eleftheria; Athens School of Fine Arts | 6 |
2 Must Aesthetic Definitions of Art be Disjunctive? por Farrell, Jonathan; Philosophy Program, RSSS, The Australian National University | 7 Aesthetic and Other Theoretical Virtues in Science por Simus, Jason B.; University of North Texas |
3 Artistic Expression, Aesthetic Value and the Law por Neilson, Jenn; University of Texas at Austin | 8 The Art Instinct: Beauty, Pleasure, and Human Evolution por Gully, Nigel Thomas; San Jose Museum of Art |
4 The Role of Painting in the Phenomenology of Merleau-Ponty por Guentchev, Daniel; Southern Illinois University Carbondale | 9 Imagination and the Mind's Ear por Moore, Margaret E. |
5 Noël Carroll por Tullmann, Katherine,Gatalo, Nada | 10 Dots and Data: Seurat, Sartre and Merleau-Ponty por Gutierrez, Michael; Boston College |