| Título: | The Metapiano: composing and improvising with sculpture |
| Autores: | Hoadley, Richard |
| Fecha: |
2013-06-03 2013-06-03 2011-09 |
| Publicador: | Anglia Ruskin University |
| Fuente: |
 |
| Tipo: | Conference Paper |
| Tema: |
music dance sculpture embodiment improvisation algorithms Arduino |
| Descripción: |
This paper concerns the implementation and control of interactive sculptural interfaces, designed to be used by the public as well as by musicians or dancers. The main device under consideration is called the Metapiano, an interface developed to trigger and modulate an array of musically expressive algorithms. The paper describes interactions with hardware and software systems and the nature of the music created. This paper concerns the design, implementation and demonstration of interactive sculptural interfaces which need to be used by the public as well as by specialist performers such as musicians or dancers. Options for automatic control are also available. The set of interfaces under consideration is referred to as the ʻmetapianoʼ, itself a ʻmeta-sculptureʼ comprising a collection of diverse and independent sculptural items, each of which are being developed to control a sometimes self- referential array of musically expressive algorithms. In the case of the metapiano the primary sound source, perhaps unsurprisingly, is that of a (synthesised) piano. The paper describes the manner in which a viewer/performer interacts with hardware and software systems, examines the nature of the music created, and details how the two are related. Of particular interest is the way in which the resulting music relates to both new and more traditional forms of composition and performance. |
| Idioma: | Inglés |
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