| Título: | The Influence of the Creative Class |
| Autores: | Carolyn Kenny |
| Fecha: | 1970-01-01 |
| Publicador: | Voices: a world forum for music therapy |
| Fuente: |
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| Tipo: | |
| Tema: | No aplica |
| Descripción: | Last week I heard an interview with the American playwright Edward Albee. His award-winning play, Who's Afraid of Virginia Wolfe, is enjoying a second time around on the New York stage. In the course of the interview, Albee made a comment that confirmed my own belief about the arts. He said: "To put us in greater contact with our possibilities. . . this is the function of art." This idea of "possibilities" has always shaped the core of my beliefs about the nature of Music Therapy. It's a recurring theme. And in the increasingly inhibited parameters of clinical notions, represented by the likes of evidence-based decision making under the influence of the Cochrane Collaboration, it's good to remember the art of our work. |
| Idioma: | No aplica |
1 The Central Tenets of GIM: Consciousness and the Integration of Psychotherapy and Spirituality por Francis Smith Goldberg,Louise Dimiceli-Mitran | 6 Exploring the Experiences of Students in the Final Stage of Music Therapy Training por Selina Smyth,Jane Edwards |
2 The Field of Play in music therapy education por Debbie Carroll; Université du Québec à Montréal | 7 Music Therapy, Song and Communication por André Brandalise |
3 Moving Toward Incorporation a Definition of the Quality of Life por Eunmi Emily Kwak; Ph.D, MT-BC | 8 |
4 Music therapists’ practice-based research in cancer and palliative care: Creative methods and situated findings por Clare O'Callaghan; Peter MacCallum Cancer Centre and St Vincent's Health,Philippa Barry; Peter MacCallum Cancer Centre, Melbourne, Australia | 9 |
5 Hard and Heavy Music: Can It Make a Difference in the Young Cancer Patients' Life? por Fereshteh Ahmadi | 10 Opening Channels of Communication por Clarice Moura Costa |